MEMPHIS at the Shubert Theatre

(Seen 10/22/09)

An excellent new musical has finally come to Broadway, after more than six years struggling in-an-out of development. When you get down to basics, one of the main reasons I like it --- and many of my colleagues disparage it --- is because it is a linear musical. with a beginning/middle/end, with characters you can care about.

It is set in the social and political milieu of the 50s, in segregated Memphis. It is exciting and often powerful, despite its simple plot lines. It doesn't matter that the characters are somewhat stereotypical because the extremely talented cast inhabit their roles so thoroughly, they bring a reality and an individual personality to each of them.

Chad Kimball and Montego Glover, as the ill-starred lovers, flouting racial barriers, are exceptional, both musically and dramatically.

Director Christopher Ashley imbues the huge cast with energy and purpose, and choreographer Sergio Trujillo is once again sparking his routines superbly. David Bryan and Joe DiPietro have written a score that serves the material ably and beautifully.